Showing posts with label sophie-littlefield. Show all posts
Showing posts with label sophie-littlefield. Show all posts

Monday, March 31, 2014

House of Glass ~ Sophie LIttlefield (earc) review

House of Glass
Harlequin MIRA
February 25, 2014
304 pages
add to Goodreads/buy from Book Depo/or Amazon


Bestselling author Sophie Littlefield delivers a riveting, ripped-from-the-headlines story about a family put to the ultimate test when two men take them hostage inside their home.

Jen Glass has worked hard to achieve the ideal life: a successful career, a beautiful home in an affluent suburb of Minneapolis, a seemingly perfect family. But inside the Glass house, everything is spinning out of Jen's control. Her marriage to her husband, Ted, is on the brink of collapse; her fifteen-year-old daughter grows more distant each day; and her five-year-old son barely speaks a word. Jen is on the verge of breaking, but nothing could have prepared her for what is to come.

On an evening that was supposed to be like any other, two men force their way into the Glasses' home, but what begins as a common robbery takes an even more terrifying turn. Held hostage in the basement for more than forty-eight hours, Jen and Ted must put aside their differences if they have any hope of survival. They will stop at nothing to keep their family safe—even if it means risking their own lives. A taut and emotional tale of a family brought together by extraordinary forces, House of Glass is a harrowing exploration of the lengths a mother will go to protect her children, and the power of tragedy to teach us what truly matters.

It's a night that's supposed to be like any other. Jen Glass, her husband Ted, their fifteen-year-old daughter Jen and four year-old son, Teddy, are home and about to start cooking dinner when it happens. Two armed men enter their house, their goal unknown.

It quickly becomes clear that this is not the usual home invasion robbery. While the family is held in the basement for an increasingly extended time, unsure of what the men upstairs want, they drawn closer together.

The mystery of why the men are in the Glass house and what they hope to accomplish, is not the only unknown in House of Glass. Jen is someone who wants everything to be perfect, or to, at least, look perfect from the outside. The life she's made for herself is much different than where she began - somewhere gone but not really forgotten. Despite Jen's attempts, it's clear from the start that her husband, Ted, is keeping something from her. Whether it's what Jen suspects or something else, entirely, is not yet known.

As much as she wants to uncover the truth, taking care of their children: four-year-old Teddy who doesn't speak to strangers and fifteen-year-old Livvy who's become increasingly distant from Jen, takes priority.

With the family's safety constantly in question and each with their own struggles, House of Glass is a page turner that will keep readers guessing.

Much of the story centers around Jen Glass, her concern over appearances and the future of her family. While Jen's past and her current concerns definitely add to the story and the plot's progression, there was something about her I didn't quite like. Given the situation, any of the characters being cool, calm and collected, wouldn't have worked. However, Jen was too dramatic and anxious for me. Her family was always on her mind, but at times she felt almost selfish.

Livvy, Ted and Teddy each have something about them or their lives that adds a layer to the tale. Adding to the mystery of 'why,' 'who' and 'what,' they keep things from being obvious, even when you're sure they're wrong, nothing is ever obvious.

I still really enjoyed House of Glass. With scenes showing the family's bond, secrets revealed and moments of unbelievable tension, you'll find yourself feeling for the family and hoping for the safety.


Rating: 7/10



thank you to NetGalley and Harlequin for the egalley for review

Tuesday, February 26, 2013

Garden of Stones ~ Sophie Littlefield (earc) review

Garden of Stones
Harlequin MIRA
February 26, 2013
301 pages
add to Goodreads/buy from Book Depo/or Amazon

The internment of Japanese Americans in 'War Relocation Camps' (anyone down to 1/16 Japanese could be sent) by the United States government after the Japanese bombed Pearl Harbor is one of those things we sort of don't talk much about -- or write many books about. Sophie Littlefield has, though:

In the dark days of war, a mother makes the ultimate sacrifice Lucy Takeda is just fourteen years old, living in Los Angeles, when the bombs rain down on Pearl Harbor. Within weeks, she and her mother, Miyako, are ripped from their home, rounded up-along with thousands of other innocent Japanese-Americans-and taken to the Manzanar prison camp.

Buffeted by blistering heat and choking dust, Lucy and Miyako must endure the harsh living conditions of the camp. Corruption and abuse creep into every corner of Manzanar, eventually ensnaring beautiful, vulnerable Miyako. Ruined and unwilling to surrender her daughter to the same fate, Miyako soon breaks. Her final act of desperation will stay with Lucy forever...and spur her to sins of her own.

Sophie Littlefield's Garden of Stones is a novel I was looking forward to reading for a long time.  While it is a good story, about a time and doing in American history that isn't talked about enough, it's not quite all that I was hoping. It starts out strong: a murder and an introduction to our characters Lucy  Takeda and her daughter, Patty in 1978 and then goes back to 1941.

Pre-Pearl Harbor, Lucy is still experiencing anti-Japanese sentiment, but it's only troublesome, not yet life altering. That doesn't come until the order that sends them to Manzanar.  This part of the novel, with the tension mounting, Lucy's living a life of privilege that is collapsing, and the introduction to Manzanar is the best of the book.

While the narration alternates between the 1940s and 1978 and the murder investigation, we see just how much everything changes for Lucy. From her family structure, the safety and security she's been used to, and then, really, her whole world.

While it's hard to know if everything the Takedas and other Japanese experience and need to do prior to and after being interred, it feels very real so kudos to Littlefield for that. Lucy is a very sympathetic character here and her age seems a great choice. She's mature enough to handle certain things, to be that almost-grown-up but to also have just enough naivete left that certain actions, thoughts, decisions of hers introduce elements of the story, as well.

Lucy and Miyako's relationship is complex and very well done. We see bits of it when things are normal, both Miyako's character and the mother/daughter relationship really becoming more a part of the story later.

Most of the focus of the book is on Lucy's life, circa World War II and then the murder investigation in 1978. I do wish there had been even a few more sentences on her life between the two time periods.

There were a couple of places where things from place one in the book didn't quite seem to line up with what happened in place two. Most of them were small, but even little things distract me from the story. (ex: Leaving Manzanar with no pictures. then in '78 having photographs from that period.)

It may have tried to do too much in too short of a novel, but it is a book that keeps you turning the pages, for sure. Aside from being a time period that's sorely under covered, there are interesting characters and separate stories, in different decades that weave together as the story goes on. Garden of Stones is worth reading.



This is where spoilers come in . . .  Real, live, hello-this-is-a-large-section-of-the-ending spoilers:

Thursday, March 24, 2011

Aftertime ~ Sophie Littlefield ARC review

Aftertime
Luna
February 15, 2011
384 pages
Goodreads/Amazon/Book Depository


The world is no longer the world we all know now. Beings known as Beaters wander the world
and threaten all of us who are still human. Cass witnessed it all change slowly until almost nothing normal was left.

Now Cass has awakened, dirty, beat up, and with no exact memory of how she got that way. She knows she was taken by Beaters (zombies) and believes she ate some of the plant that turns people into Beaters. But Cass is still in full control of her capacities.

Now, Cass's main goal is to make it back to the town she was taking shelter in and back to her daughter, Ruthie. In the weeks since she's been gone Cass has made it many miles away and the journey back will be perilous. Through a string of events she meets a man called Smoke who agrees to accompany her back.

A four mile trip through a zombie infested war zone like area soon becomes much more--both in distance and significance.


The beginning of Aftertime is what you would get if you took the best, scariest zombie book and turned it into a book--without losing anything.

It's not just a 'scare-you' horror book, however. Or just a zombie book. There's plot and depth to it. It's also about Cass's quest to overcome alcoholism and to learn how to become a good mother.

Aftertime is definitely an adult book. Banished by Sophie Littlefield was a YA book and the Bad Day series was more YA acceptable, but this is much more adult content-y.

The middle reads a little slower--probably because the beginning introduces what's happened to society and creeps readers out with the zombies while the middle deals with the more day to day (or as much as it can be) with Cass and Smoke on their journey.

I did very much like that it was a whole society that was thought out--and so many different aspects and locations in/of that society. Aftertime wasn't focused just on one event or one person, but showed everything that can happen in this new society--and what hope people in it just might have. Or not.


8/10

Read thanks to NetGalley and Harlequin!

Tuesday, October 12, 2010

Sophie Littlefield ~ Interview & Giveaway



If you've been reading my blog for a while, you might have seen when I featured Sophie Littlefield's Banished as my Waiting On Wednesday book back in May . . .

So, you can guess I was pretty excited when she agreed to do an interview with me in celebration of Banished's release today--and even more so when she sweetened things by turning this into an interview and a giveaway! That's right, Sophie's going to be mailing one lucky reader their very own copy of Banished! (Color me a little bit jealous ;) Not really though, I'm getting my copy soon.)


Sophie Littlefield grew up in central Missouri and lived in Chicago after college before settling in San Francisco with her family. Also the author of a crime fiction series (A Bad Day for Sorryand its follow-up), Banished, out October 12 from Delacorte Press is her first YA novel.


You've already written a crime fiction series (A Bad Day for Sorry & A Bad Day for Pretty:), what made you decide to write a paranormal YA?
I always knew I wanted to write paranormal – or more specifically, supernatural fiction, possibly with horror elements. I am a big fan of Stephen King, and also Joe Hill (who happens to be his son) – and I love the work of female horror authors Alex Sokoloff and Laura Benedict.

As for writing for a younger audience, my agent made the suggestion several years ago. I have teenagers of my own, so the idea was very appealing to me. I had already been reading young adult fiction because I wanted to know what interested my kids, and I had an idea that I thought would work. Also, I have very strong memories of my own high school years and I wanted to see if I could capture the emotions and concerns of that time.

Any news on how many books are going to be in either the BAD DAY or BANISHED series and when they'll be out?
The third “BAD DAY” book is called A BAD DAY FOR SCANDAL, and it will be out in June of 2011. A fourth book will come out a year later, and I hope it will be followed by further adventures!

As for BANISHED, the sequel is titled UNFORSAKEN and it will be out in the fall of 2011. I have signed with Delacorte to do two more young adult paranormal novels after that, but we have not talked yet about what they will be. (My editor is on maternity leave, so she has other things on her mind right now!) I have so many ideas that I don’t know where to start! I am hoping to find out from my readers what interests them, what they like about my series so far, and what directions they see my characters or stories taking.

Can you share any other news about upcoming books?
Yes. I’m very excited about a third series which will debut next March from Harlequin Luna. It’s a trilogy about a postapocalyptic world where a young woman searches for her missing daughter while struggling to survive. It’s for an adult audience, and it has some mature themes and scenes, but I think at the heart of it are some similarities with BANISHED – a young woman who is discovering that she is stronger than she realized.

When you write, do you like to plan/plot things out or write as you go?
I have tried to write detailed outlines before starting a new book, but I rarely stick to my plan. My stories take me in unexpected directions and I end up far from where I started. So now I usually start with an idea and a character, and let it grow from there.

Now that Diane Sawyer off GMA, if you were going to be on one of the morning shows to talk about your books, who would you want to interview you?
(note: Stella does mention/notice Diane Sawyer quite a bit in the first Bad Day book (I haven't read the second yet) so I thought it might be fun for a question.)
Ha, you must know how much Stella admires Diane! J I’ve been a fan of Oprah forever, though, and I really admire her for promoting reading. I’d love a tough interview from her – I think she could ask me questions that I’ve never considered before.

How well do you think Hailey and Stella could work together against a common foe? Or do you think they could?
Now that’s a question I have never been asked before! It’s kind of an interesting idea, too, because both characters are sort of based on me – so it would be like my mature self teaming up with my younger self. I would say that it ought to work out pretty well. Stella’s very maternal, just like I am; she would probably be drawn to Hailey because Hailey really needs some strong woman in her life both as a maternal figure and an example. And while Hailey is quite serious – and her situation is dire – I like thinking that as time goes on there would be some room for humor in her life, for good-spirited fun.

If they were in partnership with a common goal, they would each have something to contribute: Stella’s tough and inventive, and she’s also passionate about defending the innocent. But Hailey’s got more power than she ever imagined, and as she learns who she really is, she’s bolder about going after what she wants. One thing that unites them is that neither one is a whiner – I can’t stand whiners! – so they would both give 100%. And when the job was done, maybe Stella could encourage Hailey to relax a little and just enjoy being a kid.

Without spoiling too much since we haven't read Banished (yet!) what was your favorite scene to write? What about the most challenging?
I loved writing the scene where Hailey first finds clues to her past. At first, these clues – a list of names, a photo, a necklace – don’t mean anything to her, but she is still drawn to them. I remember feeling the same way when I was younger and happened across beautiful old things whose stories were long forgotten. I used to go to the flea market in my home town and search through old letters, old quilts, jewelry, imagining who owned the objects and where they might have traveled. Even then I was inventing stories in my mind.

I have more trouble with the action scenes. I love reading thrillers, but I’m still learning how to set and maintain the fast pace that they require. I turn to my brother, who is a thriller writer, and several other writer friends for help when I’m writing these parts of the book. I’m really grateful to them for their help – without them I would have a much harder time.

Do you have any advice to aspiring authors?
Yes! I’ll paraphrase a bit of advice from my website, because I believe in it passionately:

Write as often as you can – every day if you can manage it. You will never make yourself a worse writer by practicing your craft, and your skills have a way of increasing without you noticing it. And don’t listen to criticism. That includes criticism from your friends, your parents, even—perhaps most especially—your teachers. Write what works for you, and then do it some more. When it feels like you are taking a risk, you are on the right path. Trust me, and trust yourself, that your stories are exactly the right ones for you to tell, no matter what anyone else says.

Do you have any favorite new YA authors or novels? What/who are they?
There are so many wonderful young adult authors! Recently, I’ve enjoyed Holly Black, Carrie Ryan, and Kami Garcia and Margaret Stohl. All of them use language beautifully in addition to telling suspenseful and gripping stories.

If you had to put one of your characters (major or minor-minor) in charge of your life for a week, which would it be?
There’s a character in my Stella Hardesty series named Jelloman Nunn. He’s a middle-aged biker guy, an old friend of Stella’s – kind of a brother figure. On the surface he doesn’t look like much: he lives in a crazy patched-up house, watches football and drinks beer and fixes motorcycles. He has an on-again, off-again relationship with his girlfriend and is prone to pranks and illicit entertainment. But what I love about him is that he truly understands the importance of balance – he knows how to work hard and how to enjoy life. I think I could learn a lot from him! If he ran my life, I’d probably be spending more evenings having fun with my kids and friends, and fewer working late into the night.


If somehow you're still not sure that you just have to read Banished, here is an excerpt for you to read (another excerpt is on Sophie Littlefield's YA website here):


When I got home, Rascal bounded across the yard to meet me. He was part blue tick, part beagle, part something else. Gram got him from one of her customers after some stray got through a fence and impregnated a prize hound. Gram’s customer was going to drown the whole litter, but Gram took a shine to Rascal. For a while, anyway - she got tired of him when he wasn’t a puppy any more.

He nuzzled my hand, then slipped in the front door and went straight to Chub, who was sitting in front of an open kitchen cabinet, playing with the pots and pans while the lids rolled around on the floor.

“Russo!” Chub exclaimed, clapping his hands and throwing his arms around Rascal.

“Russo” was one of Chub’s better words. He called me “Hayee,” and he could say “wah” for water, and “chah” for chair. Other things he had his own special names for, sounds that had nothing to do with the actual word, like “shoshah” for flower and “bobbo” for truck. Most of the time, he didn’t make words at all, just hummed, sounds rising and falling like a song only he could hear.

I knew that there was something wrong with Chub. I tried to figure it out by doing research on the internet, but there were so many causes of developmental delays, I didn’t even know where to start. I knew that eventually the social workers were going to demand he get tested, but I wasn’t anxious for that day to arrive because I was afraid they’d put him in some group home for kids like him. And I didn’t want him to go. Ever. Besides Rascal, he was all I had to love.

When Chub first came to live with us, Gram changed. She spent time with him every day, murmuring softly to him while I did the chores, holding up toys and flash cards and trying to get him to talk. Those were good days. If Chub did something new, if he crawled toward Gram or reached for the shiny blocks she held up, she felt like celebrating; she turned off the TV and didn’t drink as much and even complimented me on whatever I made for dinner.

But when he had a bad day, when he wouldn’t repeat the sounds she made, or ate dirt from the yard, Gram seemed to sink a little lower in her chair. As I got more and more attached to Chub, I realized that Gram saw him as a project, an experiment. And when she couldn’t fix what was wrong with him, she lost interest.

Within a couple of months, she was back to spending her days in the chair, watching TV and smoking. She began drinking earlier in the day and barely paid any attention to Chub at all, but she kept cashing the checks the state sent for his care, and he became mine to look after just like Rascal had.

“You git my cigarettes?” Gram wheezed from her chair. She asked me that every time I came home from the grocery, as though I’d ever forget. She went through a pack and a half a day, and I handed her the four packs of Marlboro 100s along with the receipt and a few coins. The cigarettes cost almost half what I’d spent at the grocery, but I knew better than to suggest Gram cut back. The one and only time I tried she’d slapped my face so fast and hard it took my breath away.

Gram was mean, but she was also weak and sick most of the time, so I could stay out of her way if I tried. She woke up in the morning coughing up nasty stuff and spitting into the sink, and she fell asleep drunk in the chair most nights. She ordered me around like a servant. I didn’t mind the housework so much—I had kind of a thing about keeping the house clean, and I would have done it even if she didn’t tell me to. And she paid me, even if it was a fraction of minimum wage.

I unpacked the rest of my groceries and got to work making sloppy joes. Sautéing the frozen peppers and onions, the ground beef, stirring in the tomato sauce—I’d done it a thousand times before, but it still brought me a sense of calm, especially with Chub playing at my feet and Rascal dozing in the corner of the kitchen where I kept a stack of old blankets for him to sleep on.

Gram, laughing at something Tyra Banks said on her show, farted loudly and I thought for the thousandth time how glad I would be when Chub and I left this house for good. I knew you weren’t supposed to feel that way about your grandmother. Grandparents were supposed to be overprotective and hopelessly out of touch, but you were still supposed to love them. They were supposed to listen to your troubles and offer you advice from all their years of experience.

“Something weird happened at school today,” I said as I mixed the ketchup and onion soup mix into the skillet. Gram had never given me a single piece of advice worth remembering, and as I started to speak I already knew it was a mistake, but I had to talk to someone about Milla. “Milla Swanson got hurt in gym.”

“Uh huh,” Gram said, without taking her eyes off the television.

“I mean, like hurt pretty bad. I think she was unconscious for a while. A head injury.”
“Mmmm.”

“But I…well, I think I might have. Um. The thing is, I just wanted to help, you know? Because Ms. Turnbull went to call and – ”

“What did you say?”

Gram’s voice, sharp and shrill, startled me and I set the spatula into the pan and looked at her. To my surprise she was struggling to push herself out of the chair, grunting with the effort.

“Just that Milla fell off the vault and hit her head.” I went to help Gram, and she seized my hands and pulled herself up, her back cracking.

“Was there blood? Skin cut? Bone showing? What did you do?”

Gram’s questions had an edge to them, an urgency I never heard from her, and I wondered what she knew that I didn’t.

“It wasn’t really any big deal. Just a bump.”

“You said she was unconscious.” There was excitement and accusation in her voice, and her eyes were bright and intent for once.

“Well, maybe for a minute.”

“And you touched her?”

“Um…yeah.”

“On her head?”

“Well, yes, I mean, first her hands and then, I guess, mostly on her hair.”

“What did you say?”

“What did I say?”

“It’s not a hard question, Hailey. What did you say when you were touching her?”

“I didn’t – I don’t know. I mean I might have said her name, and something like ‘don’t worry’ or ‘it’s going to be okay’ – I really don’t remember.”

But as I answered Gram something stirred in my mind. There had been…something. A strange soundtrack, whispered nonsense syllables, barely audible over the rushing of my blood.

“That’s all? You didn’t say anything else?”

“No. Nothing else.” I was a little frightened by Gram’s intensity, especially when she closed one of her claw-like hands around my forearm, one long fingernail digging into my flesh.

“Have you done this before, Hailey?” she asked, leaning close enough to me that I could smell her breath, a foul combination of cigarettes and rot. I had to resist the urge to pull my arm away from her.

“Done what?”

Her burning eyes searched mine, and I felt like she was looking for signs that I was telling the truth – and for something else as well, something I couldn’t understand. We stood that way for what seemed like a long time, and I felt fear unwind inside my gut, fear that fed on my confusion and the high emotions of the day.

“I think you know,” Gram finally hissed, squeezing my arm with a strength that surprised me. “You know what you done. All this time I been waitin’ on you, I finally gave up, and now you gone and done it.”

I yanked away from her, my heart pounding hard. “Dinner’s going to burn,” I mumbled, and I picked up the spatula and stirred the mixture on the stove, my face hot in the rising steam.

I could sense Gram standing behind me watching. She was scariest when she was thinking. I’d rather have her hit me or yell at me any day than stare at me like that, when I didn’t have a clue what she was thinking about.

“It don’t change nothin’,” she muttered, so softly I almost didn’t hear her.

By the time I dared to turn and look, she had shuffled back to her chair, and her eyes were half closed as she watched a lawn care commercial. I made three plates of food and got Chub set up at the table with a paper napkin and a glass of chocolate milk. I took Gram her plate and a fresh beer and set it on her TV tray. She barely grunted a response, but I kept an eye on her as Chub and I ate our dinner. She ate carelessly, bits of ground beef falling to the tray or the floor, where Rascal would find them later. After a while she rubbed her napkin across her mouth and tossed it on top of her half-eaten dinner, and I breathed easier, hoping she’d forgotten the confusing conversation.

While I did the dishes she muttered to herself, now and then raising her voice as though she was having a conversation with someone. I was passing by her chair on my way to put Chub down when she shot out her gnarled, yellow-nailed hand and grabbed my wrist.

“You know you’re the future, Hailey,” she said, lips twisted in a grin that revealed the gaps where she’d lost teeth. “You’re the one who’s gonna carry on the legacy.”








So, now that you're sufficiently anxious to read Banished either head on out to your local bookstore and pick up a copy, order one from Amazon or another online retailer, check your library . . . or enter my contest (really, please do--some of the Near-to-My-Birthday-Awesome-Books are starting to release and this is one of them and I not only got to interview the author, but I get to give one away, too):

Runs through next Tuesday October 19 at 11pm Eastern (this one's shorter so that no one has to hold off to long on getting Banished).
Open to non PO Boxes (I'll have one open to you again someday) addresses in the US and Canada.
enter through the form below (or here)




Thank you nce again to Sophie Littlefield and congratulations on Banished's release today!!

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